The World through a porthole --------------------Back

Having vastly travelled across oceans on merchant navy ships, accompanying my husband, who was a captain on cargo ships, I conceived the idea of painting the world through something as functional as a porthole.

The porthole became very significant to me - being the only liberating link between the ship’s cabin and the world outside, and to me the view beyond meant the flight of the soul itself.
I studied the behaviour of the sea and the sky - their various moods, in full fury and in tranquility, and brought those years of my life spent at sea onto my canvases. There were the standard sea-fearing sights to surreal and inspired views of eclipses and chessboards, the Milky Way with its masterful use of the wash technique and many others. Paintings of the sky and sea were highly spontaneous and came out of my heart rather than my mind.

Art critic R.T. Shahni of Free Press Journal, Mumbai wrote - ‘A work of impeccable art with the play of light on the horizon, the use of reds and yellows for the effect of the setting sun, the carefree flying birds and a beautiful cloudscape reminiscent of the work of Constable!’ And again ------- ‘for this theme does not appear to have featured on such a large scale either by the European or our own innovative artists’. Times Group News Papers, UK correspondent Hugh Christopher wrote - ‘Originality is the key factor in the exhibitions-------’

Though my intense interest lay in the view beyond, I also emphasised on the construct of the Porthole. I painted every detail of the very old- almost antique Portholes to the more modern ones. I have viewed innumerable marine paintings of ships, the waterfront, marina and seascapes, but none through a Porthole.

Not forgetting mans relationship with environment some of my most dramatic paintings, now in private collections are of a floating city on an iceberg. Having polluted cities, mankind has to take refuge at sea. If man pollutes the sea, then the iceberg will detonate and wipe out civilisation. Another one, ‘Pollution at Sea’, where beautiful colours of refracted light on oil spill, carry with it the evil of polluting the sea.


But my curious mind did not stop at that, and I painted yet another theme, ‘Playing with the Millennia’ which I continue to work at now.

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