Figurative Work  -----------------------------------Back

The years before the 90s saw me as a figurative artist, painting subjects varying from the 'Barbed' and 'Gulf War' series to a period of 'Serene Devotion,' from 'Simple domestic scenes' to those with a 'Deeper symbolic' meaning.

Newspaper articles sometimes urged me to paint what I read. ‘Barbed’ was one such series, inspired by an article on a young widow’s humiliation when she was publically disrobed and beaten because she could not pay rent to her landlord.

Business Standard art critic’s comments, ‘Creativity can produce memorable canvases, which are not merely aesthetically satisfying but also serious enough to provoke the viewer to reflect over the human condition’

Strangely, many years later, the newspaper itself became a part of my paintings as in ‘Playing with the Millennia’ series.

Though there was an undertone of revolt in my ‘War’ and pathos in my ‘Barbed’ series, my ‘Porthole’ and ‘Millennia’ series are, by and large, joyous and suggestive of jubilation

I had been painting vigorously for many years, but it was not until 1990 that I seriously started exhibiting my works. It happened when I first submitted my painting for an Annual Exhibition in 1990. To my great delight, it got selected. The painting was ‘Krishna Consciousness’ or ‘Chaitanya Mahaprabhu’s Sankirtan’. This gave me a new impetus and became a steppingstone for me. Thereafter there was no looking back and I kept moving up the ladder.


Figurative work gave way to another very unique and challenging theme: ‘The World through a Porthole’ which was very well received by art critics and art lovers alike.
------------------------------------------------------------------------------------------------------Back